Fourth Kaleidoscopic Arts Platform: Review by Fiona Yates

Situated in Wilditch Community Centre, Kaleidoscopic Arts Fourth Platform has a welcoming ‘come as you are’ vibe. Framing the space is Elisabeth Schilling’s Stadtkörper – an exhibition of photos from historic spots in Berlin with Schilling in place as a dancer. They’re subtle but give a sense that the platform has claimed the space and mean that even before the performances start there’s an artistic presence. Continue reading “Fourth Kaleidoscopic Arts Platform: Review by Fiona Yates”

Fourth Kaleidoscopic Arts Platform: Review by Tia Asterope

Empowering the Female Voice

Kaleidoscopic Arts Platform, Fourth Platform reviewed by Tia Asterope at Wilditch Community Centre, London SW11 5BB, May 19

The independent choreographers Lucia Schweigert and Konstantina Skalionta began curating the contemporary dance platform Kaleidoscopic Arts in 2014. These experimental events showcase work by emerging female choreographers in alternative performance spaces and are appended by post-show talks. The fourth platform, part of the Wandsworth Fringe Festival, was held at the Wilditch Community Centre in Battersea and featured short dances by Helen Cox, Jayne Port, Lucidez Dance and Feet off the Ground Dance. Continue reading “Fourth Kaleidoscopic Arts Platform: Review by Tia Asterope”

Guest post by Maria Hardcastle

Interview with choreographer Kaia Goodenough

Following her latest performance, choreographer and artistic director of Limb Dance Co., Kaia Goodenough, talks feminism, artistic inspiration, and the issues with cross collaboration.

16265711_595742307297933_7381279617173788537_n
Abstract Romanticism by Limb Dance Co., photograph: Michelle Rose

Continue reading “Guest post by Maria Hardcastle”

On sacrifice, opportunity, bureaucracy and bringing about change

Susan Kempster’s work ‘Black Widow’ was showcased as part of this year’s Resolution, The Place’s annual festival for emerging artists. Amongst other themes the piece tackles the issue that dance artists do very little dancing, but lots of other work. It is part of our mission to enable artists to grow artistically and to help them understand and be efficient with all the other work they need to do to make their career work. Therefore we wanted to hear more about Susan’s ideas.

17.05.04. Blog Susan_Kempster_15Feb_Black_Widow_N.Minns_
Susan Kempster and Nicholas Minns in ‘Black Widow’

Continue reading “On sacrifice, opportunity, bureaucracy and bringing about change”

Emerging or ‘Impressing the Grand Duke’

As part of Resolution 2017, The Place’s annual festival for emerging artists, Simone Mousset and Elisabeth Schilling performed ‘Impressing the Grand Duke’, a piece about everything to do with the process of “emerging”. Since Kaleidoscopic Arts’ mission includes supporting emerging artists, we wanted to know more about Elisabeth’s and Simone’s ideas.

17-02-17-impressing-the-grand-duke-photo-bohumil-kostohryz
Photo: Bohumil Kostohryz

Continue reading “Emerging or ‘Impressing the Grand Duke’”

Supporting the difficult transition from student to professional choreographer

“linger/beyond: dance works get a new life” at London Studio Centre

Kaleidoscopic Arts congratulates London Studio Centre’s latest choreographic residency project: linger/beyond: dance works get a new life

Ten choreographers (London Studio Centre alumni students) were engaged in a 3-week residency at artsdepot in order to revisit or create brand new works to be presented at artsdepot’s Pentland Theatre on Thursday 6th of October 2016.

We have interviewed LSC tutors Julia K. Gleich and Dr. Lise Uytterhoeven who brought about the project to find out more about this great initiative. Continue reading “Supporting the difficult transition from student to professional choreographer”

A different perspective #2

When seeking equality it is important to keep one’s discourse open to outside opinions so as to see things – in this case Kaleidoscopic Arts Platform – from multiple perspectives. This both strengthens our understanding of our own thinking and lets us consider questions we may not otherwise ask.

In the spirit of equality I’ve asked a few men in the dance community to give their opinion on the state of equality with choreographers, and on Kaleidoscopic Arts Platform’s mission.

Here is the second of several interviews done with that different perspective in mind. It comes from Doug Hooker, a contemporary dancer and rehearsal director currently based in Minneapolis. Continue reading “A different perspective #2”